Legendary - The Enchanted Winter: A Tale of Lost Love

Friday, June 24, 1066 SE, continued ...

Having completed their tour of the Legendary, the King and his retinue depart midafternoon, around the same time Mon, Marigold and Branna discover that Dhuka's room had been looted. Now in possession of ripped pages that seem to come from the Cardinal's personal diary, they discuss how they should keep these pages safe. Mon proposes to summon his warlock blade, then tie the pages to it and vanish it again. This would keep everything safe, but Marigold expresses doubts, considering that Mon could be disabled, arrested, or even killed. This would put the pages in jeopardy of never being retrieved. Instead, Marigold proposes to build a puzzle box, where the pages can be hidden. For now, she seizes the diary pages and slides them in an inside pocket in her skirt.

Considering what to do with Dhuka, Marigold suggests Dhuka could take refuge in Mon's room for the night. Mon expresses his concern that the Cardinal's men could search there, plus can they really trust Herald, if he came upon Dhuka in Mon's bedroom. Branna offers Dhuka the Vest of the Clothier and tells the girl she should stay close to her in the costume department during the play.

Marigold tells Dhuka she needs to be dressed as someone other than a pageboy. She first transform into a steampunk outfit, followed by a forest sprite. In the end, Branna convinces her to adopt something more appropriate, and Dhuka uses the Vest of the Clothier to create an outfit that resembles Marigold's. Then lightning strikes as Marigold suddenly thinks that perhaps Dhuka could hide in the secret passage underneath the Cardinal's box, listen to his conversations and document any important information she overhears She's unlikely to be found there. Marigold also gives the child a sketchbook in case she's found, so she can pretend to be watching the play and taking notes. Finally, Marigold offers her a magic-infused light stone, so she can see. She's to remain there until the play is done. Marigold tells Dhuka her name today will be Annabelle, to avoid drawing attention to her. Dhuka pouts, saying she'd rather be Rosie. Marigold sighs and agrees to call her Annabelle-Rosie.

With their preparations complete, they head over to the Palace for their evening meal. The cafeteria is packed, and in the excitement no one comments on Annabelle-Rosie. In her disguise, Dhuka fills her plate with desserts. Marigold chastises her, telling her she should have more protein. Dhuka goes back to the serving line and returns with some chicken, but also with another plate of dessert. The ambiance is electric as everyone is feeling stressed, anxious, but also elated at the idea of opening night occurring in front of the King.

Before returning to the Legendary, Marigold places several smoke bombs and caltrops in her pockets. Mon, for his part, returns to his room to disguise himself. He makes himself appear to have a slightly broken nose, with eyes and hair of a different color, with slight mutton chops.

As six o'clock nears, the friends follow the crowd out of the Palace and to the Legendary lobby. With the entire staff aside from security assembled in the lobby, Sir Gregory descends the marble stairs from the administrative portion of the theater and welcomes everyone. He tells them he is proud of the work they did to get the Legendary ready today, especially with the twin disturbances of the Cardinal's men searching the premises and the King visiting. The Enchanted Winter is bound to become a beloved classic, and it will generate much needed income. This is the first time Branna hear Sir Gregory directly mention the theater's financial difficulties. 

Concluding his remarks, Sir Gregory turns to Yurchik. The theater director explains that all entrances to the Legendary will be guarded by both city and royal guards. Additional guards will be positioned in the lobby and on each floor's atrium. Legendary security will monitor work spaces and additional locations. The Legendary is essentially on lock down mode. Anyone departing the theater will not be allowed back in tonight. Anyone not needed to run the production has been assigned a support position in the lobby, as an attendant, or to direct traffic. Yurchik proceeds to read the list of names and assignations. Branna and Marigold are both expected to be near their workshops, in case a costume or a prop needs to be fixed or substituted. Mon is assigned to serve as an extra attendant to the north wing of the second floor of the theater, the hallway where the Archduke has his private box.

At half past six, the front doors to the Legendary open, and the guests begin their ascend of the front steps to the lobby. Branna escorts Dhuka to the secret passage leading under the Cardinal's box, before returning to the costume workshop. Soon the main lobby and the atriums on the second, third and fourth floors are buzzing with the excitement of the crowd. Nobles and lower-class citizens of Katarina alike mingle as the concession booths do brisk business. As the clock nears seven thirty, the lights in the lobby and atriums are dimmed, and the remaining stragglers make their way to the auditorium. 

On the second floor, Mon observes the Archduke, his wife, Archduchess Yeva, and his daughters, Archduchesses Verushka and Yula enter the box with the King and his son, Prince Yegor. Accompanying them are Dr. Sadistik, Dima, captain of the city guard, Sir Pavlo Demidov, personal secretary to the King, and Ruslan, captain of the Royal Guard. Despite his disguise, the Archduke, the King and Dr. Sadistik all recognize Mon.

At half past seven sharp, Sir Gregory ascends the steps from stage left and stops in the middle, greeting the crowd.

Marigold and Branna compare notes on whom they observed sitting in specific boxes. Watching the crowd from the wings, they saw that Sir Gregory, in his private box, invited his manservant Ony, Sir Sergeii, the King's cousin, Yurchik, the theater manager, Sir Matviy, Sir Gregory's solicitor, Lord Taras Nazar, owner of the Starlight Theater, his wife, and their three kids. In the Marquess of Sidorov's box they saw the Marquess, her friend Lady Sirenko, Lady Natalia Astral, her husband, Nikita Astral, Sir Dmytro Anton, owner of the Katarina Chronicle, and his wife. Finally, they saw a cast of most unpleasant characters in the Cardinal's box. The Cardinal had evidently invited his right hand Tarashenko, Lady Sofia Zhytomyr, widow of Sir Oleskiy Zhytomyr, who died in the recent explosion of Khoroshim, and her eldest daughter. They are also accompanied by Sir Kyrylo Bodashka, son of the late Lady Alina Bodashka, who also perished in the explosion.

Sir Gregory begins his speech: "Good evening, esteemed patrons! Welcome to the Legendary, where dreams take flight and magic comes alive." The crowd loudly cheers. Sir Gregory then welcomes the King and his son, and the Archduke and his family. The King stands and does the dusting under the mantle wave to polite applause, while the Archduke's brief wave receives thunderous applause. Sir Gregory continues his speech:

"Tonight, we have the distinct pleasure of presenting a truly enchanting tale: The Enchanted Winter: A Tale of Lost Love. Prepare to be transported to a realm of wonder where snow-covered landscapes shimmer under the moonlight, and fantastical creatures roam freely. This spellbinding opera weaves together a tapestry of fantasy, romance, and enchantment, delivering a poignant story of love, sacrifice, and the enduring power of hope. The Enchanted Winter' is a journey of hope, a reminder that even in the face of despair, the warmth of love can melt the coldest of hearts. So, settle in, dear friends, and prepare to be transported to a world of wonder, where magic reigns supreme and love conquers all. Let the enchantment begin!"

The first act goes off without a hitch. The actors effectively deliver their lines, the soaring music is flawlessly delivered, the props perform as expected, and the costumes experience no malfunctions. Everyone on the stage is surprised at how smooth this opening act is.  

During the first intermission, Marigold checks in with Dhuka. She then heads to the Marquess' box. The Marquess is in the lobby mingling with other nobles, but Lady Sirenko is quietly sitting in her comfortable chair, using her spyglasses to examine the crowd. Marigold tells her about the ransacking of Dhuka's room, and explains to her that they plan on taking her to the mainland when they leave in a few days. Lady Sirenko agrees this is probably for the best, though she knows Zoya will miss Dhuka and still wants to redress the error she made by pressing charges against Dhuka when the green dress Branna had designed for her went missing.

While Marigold talks with Lady Sirenko, Branna finds Joseph, who's refilling supplies in the private boxes he's helping with. She questions him about Sir Gregory's speech about generating much needed income. Joseph tells her in confidence that he overheard Sir Gregory discuss the Legendary's dire financial situation. Ever since the King's visit to Katarina was announced, the Legendary has spent more than double the income collected. And now some of Sir Gregory's creditors are calling in loans, squeezing him financially. Joseph has it on good authority that the theater owner even had to sell some of his possessions, including his beloved horse carriage. Joseph tells Branna that if she has an exit strategy, she may not want to return from the Second Crew's visit to Sezja to present Masha and the Bear. By that time, the Legendary may have been seized to cover Sir Gregory's death.

During the second act, the bell outside the Archduke's box rings. Mon knocks softly and enters. Dr. Sadistik asks Mon to bring him a seltzer. Mon notices the Archduke and the King are deep in a whispered conversation he can't overhear due to the music and singing occurring on stage. He brings the seltzer back, and smoothly places his hand out. Dr. Sadistik drops a coin in his palm while taking his drink. Once outside the box, Mon looks at the coin and notices it is a copper piece, and the portrait has been defaced. Mon drops it in the latrine at the earliest opportunity. 

The second intermission starts, and most of the theater empties into the lobby and atriums to partake of drinks and food. The crew is once again amazed that everything went as planned, and there were no issues, even minor ones, that needed to be addressed. The performances continue to be amazing.

With his duties currently at a lull, Mon ascends the stairs to the third floor and knocks on the Marquess's box door. Lady Sirenko beacons him in, and is surprised by his disguise. Mon presents a purse with 50 gold in it. Lady Sirenko's eyes briefly display a greedy appetite before her face returns to her usually composed attitude. Mon politely asks her if she thinks the Marquess could use this sum to bet on the horse races in the next few weeks while Mon and the rest of the Second Crew are on the mainland. Lady Sirenko replies she is sure Zoya will be happy to do so, given that she is rather fond of the actor. Mon recalls a conversation with Sir Gregory about the Marquess's extensive knowledge of horses and her uncanny ability to pick winners. Mon hopes that he may gain enough winnings to perhaps purchase a share of the Legendary.

Following the second intermission, the show resumes. A few minutes later, a city guard comes running down the corridor, and he requests Captain Dima. Dima steps outside the Archduke's box, and the guard whispers something to him Mon is unable to hear. Dima immediately departs in a rush, followed by the guard. Mon then notices three additional guards rushing downstairs.

Counting on the play continuing its streak of good fortune, Branna heads to the lobby, where cupcakes, snacks, and teas remain available for the staff. As she's eating a lovely cupcake decorated with a winter theme, She sees several city guards run through the lobby towards the administrative section. Taking a look around, she realizes that there are now more royal guards than city guards in the lobby. Seeking Joseph, she informs him that the guards seem to be searching the administrative offices. He tells her she should spread that info, and also let people know that there are no guards left on the second floor, so that everyone can be on alert. She lets every attendant know as she runs to Mon's station. She reports the news to her actor friend, just as the bell to the Archduke's box rings. 

Mon enters the box after knocking. Once again, Dr. Sadistik requests a seltzer. Mon hurries to the bar on the second floor atrium, and confirms that there are in fact no guards left on this level. Returning with the drink, Dr. Sadistik tips him a silver piece, but at the same moment Mon notices something odd occurring in Sir Gregory's box. The theater owner had one hand up holding a spyglass while his other hand was scratching his eyebrow when Mon first came in, but now ten seconds later he is still in the same position. As Mon observes the other guests cloaked in shadows, he realizes the other guests are also standing still, as if their motions were suddenly interrupted. Mon rushes out of the box, and, after accessing the scaffolding through the concealed door at the end of the hallway, descends to find Branna and Marigold.

He relays what he saw, then heads back the scaffolding and emerges on the third floor through the concealed door. The hallway is empty of guards or attendants. Rushing past through the Marquess's door, he hears a gruff voice threatening the box's occupants. He quickly returns to the stage, and ask his friends to follow him. Back on the third floor and now invisible, Mon shadowsteps inside the Marquess's box. Four pirates poorly disguised as city guards have infiltrated her box. The Marquess and all of her guests are tied up, and one of the pirates has a long-pole firearm aimed at ... the Cardinal. 

Despite his misgivings against the Cardinal, Mon intervenes. He places Dr. Sadistik's silver piece in the firing mechanism, preventing the weapon from firing its metal ball. The pirate is perplexed, and he cocks his gun again, hoping to fire once more. Mon seizes the weapon, throws it over the railing, and it lands in the audience below with a thud and a cry of pain which disrupts the play. 

At the same time, as Kisa acting as Elara retrieves the precious crystal on stage, the orchestra does a soaring rendition of the theme song, which comes with loud drums. Mon notices a flash coming from Sir Gregory's box, and another rifle, this time aimed at the Archduke's box one story below. He immediately shadowsteps away and rushes back to his post. 

Meanwhile, Marigold stopped at Sir Gregory's door, and immediately saw someone had broken a key inside the locking mechanism. Using her tools, she pulls the remnants of the broken key out.

 

As Elara retrieves the precious crystal, the orchestra does a soaring rendition of the theme song, which comes with loud drums. That's when all attempts occur.

MOn tells MArigold about the broken lock in Sir Gregory's booth.

They go to prop

Marigold pretends to put the fire out, and then she leaves. She connects with Kisa and she gets the right sword. 

As nobles exit, Branna sees four ruffian-looking city guards who soon disappear in the crowd. Branna unties the Marquess.

Mon moves the rest of the Archduke's family to safety. 

MOn tells Dima everything that happened. 

Marigold hears the unmistakable sound of a clock. She disarms the bomb. 

Dima is notified.

Mon tells Dima to tell the Cardinal he saved his life, but only after he leaves for the mainland.

They retrieve Dhuka from her secret hideout. She shares her information.

What Dhuka heard

Sir. Bodashka asked about the royal navy and the soldiers that were predicted to be here. The Cardinal replied that the troops were already here in the forests around Katarina. 

The Cardinal discussed the King's favor and how to best curry it. He inquired about his guests' impressions of the King, what he seemed to enjoy most, which nobles he spoke to, and any subtle indications of royal approval or disapproval. 

He discussed the King's policies, the economic situation, and the social unrest and lack of morals that threatens to the kingdom. He sought the opinions of his guests, who lost loved ones in the Koroshim attack.

He also talked about the social events of the season, including the King's attendance at various functions. He shared gossip and observations about the nobility, their behavior, and their alliances.

Legendary - The Cardinal's Evil Plan is Revealed

Friday, June 24, 1066 SE

Returning from the Katarina Palace early in the morning following Katarina's first royal ball, Branna, Marigold and Mon withdraw to their respective rooms rooms and take some much needed rest. The King will be visiting the Legendary later this afternoon, and tonight's opening night of The Enchanted Winter: A Tale of Lost Love will draw all of the island's nobility to the theater, presenting the best opportunity for anyone wishing to strike a blow against the monarchy.

Finding their roommates already in bed, Marigold and Branna are soon asleep. Though he lays down in his covers, Mon does not need to sleep. As Mon meditates, he hears Herald entering the room but soon his steady breathing indicates the cad has fallen asleep. As Mon processes the events of the day and wonder at Dr. Sadistik's purpose in revealing himself to the actor, he suddenly notices the absence of breathing from Herald's bed. He hears the rustle of a leaf falling from a tree, and something lands on his head. Gingerly picking it up with his fingers, he feels it is a playing card.

Intrigued and vaguely worried about his roommate's health, Mon turns on a light. Herald inhales sharply before turning over in his sleep and facing the wall. Sure enough, Mon finds that the item that landed on his head is a playing card, specifically the seven of spade. A strange black stain covers the bottom quarter. The actor does not know the significance of it, nor why someone would want to deliver this to him.

In the morning, the trio reunites in the Palace's cafeteria. Pageboys deliver boxes to Branna and Marigold, while a pageboy entrusts Mon with a box Dhuka received.

They receive packages from pageboys. Each of them has one, and an extra one has been sent to Dhuka. Mon accepts the gift meant for Dhuka. Looking inside, he finds a pink unicorn stuffed animal, and a note that reads as follows:

Dear Dhaka,
I’m sorry about what happened to you, and I do apologize. Here’s a small token of appreciation, with the hope that I will see you soon,
Marquess of Sidorov.

Marigold opens her box. Inside, she finds a note from the Marquess of Sidorov. Her note reads as follows: 

Dear Marigold,

I would like to express my sincere gratitude for the absolutely stunning jewelry you created for me. It was the talk of the ball yesterday, and its impact was beyond my wildest dreams.

The intricate details, the flawless fit, and the overall elegance of your finely crafted earrings and necklace were truly remarkable. I received countless compliments throughout the evening, and I felt exceptional and confident wearing your amazing creations.

As a token of my appreciation and affection, I am including a small gift that has been in the Sidorov household for a few generations. May it be of use to you!

Thank you again for your exceptional talent and dedication. I will cherish the memories of that night forever.

Zoya Sidorov

Inside the box she finds the Scrivener's Pen, an item that was crafted by a powerful wizard who sought to bridge the gap between imagination and reality. The wizard spent years experimenting with various materials and enchantments before finally creating the pen. However, the wizard soon realized the immense power of the pen and decided to hide it away, fearing that it might fall into the wrong hands. The pen has been lost and found many times over the centuries. It has been used for both good and evil, and its power has been the source of countless legends and tales. Some say that the pen is a gift from the gods, while others believe it to be a cursed artifact that should be destroyed. 

Branna opens her package and finds a note. It reads:

Dear Branna,

I would like to express my sincere gratitude for the absolutely stunning dress you created for me. It was the talk of the ball yesterday, and its impact was beyond my wildest dreams.

The intricate details, the flawless fit, and the overall elegance of your finely crafted dress were truly remarkable. I received countless compliments throughout the evening, and I felt exceptional and confident wearing your amazing dress.

As a token of my appreciation and affection, I am including a small gift that has been in the Sidorov household for a few generations. May it be of use to you!

Thank you again for your exceptional talent and dedication. I will cherish the memories of that night forever.

Zoya Sidorov

Inside the package she finds the Vest of the Clothier, a magical garment that allows the wearer to change the appearance, texture, color, size, and format of their clothes. After using an action, the wearer activates the item with a keyword, and then briefly describes what the outfit will look like. The clothes are then transformed, and fit the description. These items appear nonmagical, even when detect magic is used.

Finally, Mon opens his package. There is no note inside, but as he looks at the mask, he has a flashback to a time where he was walking next to Dr. Sadistik, who was showcasing some of the artwork he owned. Mon clearly remembers Dr. Sadistik stopping by the mask, and pointing out to Mon that this Tanuit Mask, weathered and worn, is carved from a single piece of ancient wood, its surface etched with intricate patterns that seem to dance and writhe. The hollow eyes, however, appear to gaze into the soul of the beholder, while the mouth, a gaping maw, suggests a primal, timeless hunger. The mask's symbolism of a fractured personality is profound and multifaceted. It represents the duality of existence and the constant battle between light and dark, order and chaos. The hollow eyes might symbolize the emptiness and isolation often felt by those with a fractured psyche, while the gaping mouth could represent the unquenchable thirst for wholeness and connection. The intricate patterns may be seen as a metaphor for the complex and often contradictory thoughts and emotions swirling within a fragmented mind. The Tanuit, an ancient civilization that once dwelled in the northern forests of what is now Sezja, were known for their deep spiritual connection to nature and the spirit world. Tanuit artisans crafted such masks for various rituals and ceremonies. These masks were believed to possess the power to transform the wearer, allowing them to commune with the divine and transcend the limitations of the physical world. By donning a mask, an individual could become a vessel for the spirit world, experiencing a profound shift in consciousness.

Mon remembers feeling powerless at the time, and, strangely enough, was aware he did not yet have a mouth.

Remembering the card he received during the night, Mon shows it to Branna and Marigold. Marigold explains the meaning of the Seven of Spades to him. The Seven of Spades, a mystical messenger from the tarot deck, whispers of introspection, a moment to retreat into the quiet corners of your soul. It beckons you to journey inward, to seek the wisdom hidden within the depths of your being. This card is a gentle reminder that challenges, like the rugged peaks that rise from the earth, are not obstacles but stepping stones to self-discovery. Embrace the transformative path that lies ahead, for it is a journey of profound personal growth. As you navigate the winding roads of introspection, trust the compass of your intuition, guiding you towards the hidden treasures of your inner world. The insights gained along this solitary pilgrimage are priceless, illuminating the path to a more authentic and fulfilling life.

Marigold reminds Mon that Dhuka is probably hungry, since she was told to stay in her room last night. Mon puts a plate of food together, then heads out of the Palace. Once he's away from everyone, he turns invisible and, after entering the Legendary, travels the secret passages to Dhuka's room in the roof rafters. She's pleased to see him, and is thrilled she received a present. She unwraps the package that was supposedly sent by the Marquess, and sees that it is a pink unicorn doll. Mon also offers her the plate of food, reminding her to stay inside her room today, so that when the King comes to visit, there wouldn't be any trouble.

His errand now completed, Mon heads to the waterfront, to the Drown Sailor's Stitches. He asks Orest, the shop's owner, if he recognizes or can identify the playing card and the mask. After some negotiating,  Orest tells the actor the magical properties of the card and explains that the mask is evil. After some thinking, Mon remembers the rustles of leaves, and mentions them to Orest.  Orest believes that the card came from the Fey realm. Mon relates his experience with the Raven Queen. Remaining uncommitted,  Orest agrees this may be the origin of the card.

After departing the Drown Sailor's Stitches, Mon heads to the Anchor's Luck, where he meets with Captain Popov. After a short breakfast for the Captain, he and Mon head out on the Tall Tale, traveling around the island. The Captain takes him to a series of shoals near the shoreline. Finding the perfect cove, Mon drops into the water, and hides the Tanuit Mask in its case at the bottom of the sea in a small hole in one of the shoals, placing a rock in front of it to ensure it does not get dragged.. He then suns himself dry. They then return to Katarina.

While Mon and Captain Popov are cruising the waters off Katarina, the last-minute preparations to welcome the King to his tour of the Legendary are interrupted by the irruption of the Cardinal and his men, holding a warrant to arrest an escaped convict and for other seditious individuals. A rumor soon spread through the theater like wildfire that they are looking for Matviyko, who escaped from the Cathedral prison last night, and for Mon, who acted as his accomplice. Hearing the commotion, Sir Gregory comes down from his office on the third floor and confronts the Cardinal, accusing him of sabotaging the Legendary's efforts in preparing for the King's visit.

As the Cardinal's men spread through the theater, Marigold asks Luba if she would be willing to act being sick, before explaining her plan. Luba gleefully agrees. Using makeup, Marigold quickly transforms Luba into a measles-infested, sick-looking woman. When the Cardinal steps on the scene, Luba approaches him and begins coughing. The Cardinal shoves her away from him and storms off, pestering against a foolish staff who would let such a sick person be in the theater with the King soon to arrive. Marigold grabs her kit back, and smiles as she returns to her work station. Finally, after an hour, the Cardinal and his men depart the Legendary, leaving a mess behind. Yurchik tells every to redouble their efforts and get the place spotless again.

In the early afternoon, as Mon hides the Tanuit Mask under the sea, the King's carriage arrives at the Legendary. He is accompanied by his son, Prince Yegor, and by the Archduke's daughters, Verushka and Yula. The King thanks his welcoming committee, then walks from department to department, asking pointed questions on the operations of the Legendary. 

When he arrives in the props department, he expresses surprise at the various mechanical and magical props. He pays particular homage to Marigold's bubble machine. Marigold offers her prototype to the King, who thanks her for the gesture but politely declines. Yula asks the prop maker if she could have it. Marigold agrees, and gives it to the Archduke's youngest daughter. 

Moving to the costume department, the King is happy to see Branna again. He asks her if she's ever considered making a ceremonial yet practical leather armor that he could wear at regal events. Branna agrees to look into it and draw him a few proposals. As the King and his entourage leaves, Verushka sidles up to Branna and softly asks her if she's seen Matviyko. When Branna tells her no, Verushka requests she keep him safe if he does show up. 

After the King departs the Legendary, Yurchik gathers everyone, and informs them that tonight only one early dinner serving will be available at the Palace. Everyone should be back at the theater by 6. He reminds them that the King will be in attendance with Prince Yegor in the Archduke's booth, with the Archduke and his family. The Cardinal will also be here, which could make for a volatile situation given the search earlier today.

As Marigold and Branna sit down for dinner, Mon returns from his boat trip. Prompted by Branna and Marigold, Mon gathers some food and heads up to Dhuka's room. A feeling of dread assails him as he opens the door. Her secret room has been ransacked, and there is no sign of her. Mon softly calls her name, and the child emerges from a secret hiding place above the flipped kitchen table. Leaving Dhuka alone for a minute, Mon finds a pageboy and sends a message to his friends. Following his directions, Marigold and Branna soon arrive in Dhuka's wrecked room.

As the friends begin picking up the pieces of Dhuka's life, they recognize costumes and props that have gone missing in the last few months. Mon tells them he will be reaching out to the Marquess to see if Dhuka could be welcomed to Sidorov Manor. Branna mentions that perhaps Dhuka should stay with Lady Sirenko, as this would be a less obvious place for the Cardinal's men to look for her. Clearly someone knew she was here. Either option should be done in daylight, Marigold reasons. As Mon picks up a few things, he finds a cookbook called Cooking for Royals By Chef Andreii. Idly flipping it open and perusing its pages, he discovers fragments of the Cardinal's journal:

Date: September 20th, 1051 SE 

The kingdom is gripped by a pall of despair. The Faceless Fever sweeps through our streets, claiming lives young and old. The once vibrant halls of the castle are now filled with the sounds of mourning. Her Highness, Princess Elara, the apple of the King's eye, has succumbed to the insidious plague. The King is inconsolable. Anya, Elara's nursemaid, has refused to accept her death. She insists that Elara was taken from her, snatched away in the night. Her persistence is unsettling.

I find myself torn between grief and opportunity. As the King's most trusted advisor, it falls upon me to guide him through this dark hour. But beneath the surface of sorrow, I see a glimmer of hope. The King's vulnerability is a potent weapon, one that I can wield to shape the destiny of Sezja.
Today, I attended the funeral. The procession was somber, the mourners' faces etched with grief. As I stood beside the King, I observed the reactions of the nobles. Some were genuinely moved, while others seemed more concerned with their own interests. It is a reminder that even in the face of tragedy, the pursuit of power and influence never truly ceases.

Later, in the privacy of my chambers, I pondered the implications of Elara's death. The King is utterly devastated. He is more susceptible to suggestion than ever before. It is time to begin my plan.
 

Date: October 1st, 1051 SE 

The King's grief has deepened. He spends his days holed up in his chambers, refusing to see anyone. The court is paralyzed by uncertainty. The nobles whisper of a curse, of divine retribution for the kingdom's sins. I have begun to subtly plant the seeds of doubt in the King's mind. During our private meetings, I speak of ancient prophecies, of lost civilizations that possessed the secret to eternal life. I weave tales of a chosen one, a savior who can halt the plague and restore the kingdom to its former glory. The King listens intently, his eyes filled with a mixture of hope and skepticism. I must be patient. This grand plan of mine will require time and careful execution. 

Today, I attended a council meeting. The nobles were squabbling over resources and blame. It is a testament to the chaos that has engulfed the kingdom. In the midst of this turmoil, I see an opportunity to consolidate power. If I can convince the King to embrace my vision, I can become the true ruler of Sezja. As I return to my chambers, I feel a surge of excitement. The stage is set. The King is receptive. The time is ripe for action.

Date: November 15th, 1054 SE  

Dr. Sadistik, has finally revealed his startling discovery. Elara is alive, hidden away in his secluded laboratory. He has been conducting experiments on her, harvesting her blood, which possesses extraordinary properties. This is a turning point. The prophecy is not merely a myth. It is a reality within my grasp. With Elara's blood, I can create a new era, a kingdom free from disease and death. The people will worship me as a savior, a god among men. 

The King's obsession with Elara has deepened. He spends hours poring over any scrap of information about his dead daughter. That troublesome servant Anya, whose own infant daughter was spared by the plague that took Elara, suspects that the King’s daughter is still alive. I will soon act swiftly against her! Meanwhile, I must ensure that the King remains under my control. A slip-up now could jeopardize everything. Today, I attended a banquet hosted by the Duke of Eldoria. The nobles were eager to curry favor with the King. It is a reminder of the fickle nature of power. Those who were once my enemies now seek my patronage. As I return to my chambers, I feel a sense of exhilaration. The future is bright. The kingdom is mine for the taking.

Date: December 10th, 1057 SE 

That silly nursemaid Anya has been putting her nose in business that does not concern her. Her dedication to uncovering what really happened to Elara led her to a secluded estate on the outskirts of the kingdom. She found evidence of a hidden laboratory, filled with strange devices and medical equipment, and records of experiments conducted on young children, suggesting that Elara was still alive. Armed with this evidence the King and his men raided the laboratory and discovered the truth. Elara is alive, and had been held captive by a mastermind who fortunately had managed to flee just before they broke into the laboratory. The necromancer, for that is what the King believes he was, had been conducting horrific experiments on her, harvesting her blood for his own nefarious purposes.

The King’s joy at Elara's survival and being reunited with his daughter has tempered by fear. He is consumed by guilt, believing that his failure to protect his daughter has led to this catastrophe. He has kept her return secret from everyone but his most confident advisors, for fear the population will want her executed for being a necromancer’s vessel. As I return to my chambers, I feel a sense of unease. The King's trust is wavering. I must reinforce my position, to remind him of the dangers that lurk beyond the kingdom's borders.

Date: January 5th, 1058 SE 

Elara has been returned to the castle, hidden in a set of chambers and heavily guarded. The King is overjoyed, his sorrow momentarily eclipsed by the miracle of her survival. Having managed to escape, and with no evidence tying him to the laboratory, Dr. Sadistik's experiments continue in secret. The blood of the chosen one is a powerful elixir, a key to unlocking the secrets of immortality. But I must proceed with caution. The King's trust is fragile. One misstep could unravel everything.

As I return to my chambers, I feel a surge of determination. The future is bright. The kingdom is on the cusp of a new era, an era defined by prosperity and eternal life. But to achieve this vision, I must remain vigilant. The road ahead is fraught with danger, and the stakes have never been higher.

Date: February 12th, 1059 SE 

My carefully constructed facade has crumbled. The King has discovered the truth. That harlot Anya was behind my downfall! My punishment will be swift if I ever cross paths with her again. He is furious, his eyes filled with betrayal and disgust. I am a prisoner in my own castle, stripped of my power and influence. The nobles are divided. Some remain loyal to me, their fear of the King's wrath outweighing their moral qualms. Others have turned against me, eager to distance themselves from my disgrace. As I return to my prison, I vow to one day reclaim my rightful place. The King may have triumphed for now, but his victory is short-lived. I will return, and when I do, the kingdom will tremble at my name.
 

Date: March 1st, 1060 SE 

Exile is a harsh mistress. The island of Katarina is a desolate wasteland, a far cry from the opulence of Sezja. The days are long and monotonous, filled with the constant drone of the sea and the mournful cries of the gulls. Despite my circumstances, I have not lost hope. I have spent my time studying the ancient texts, seeking knowledge that can aid in my return. There is a prophecy, a hidden power that can turn the tide in my favor.

The King believes he has won, but his victory is fragile. The kingdom is divided, the nobles restless. A spark of dissent could ignite a flame that would consume his reign. I have sent messages to my remaining allies, reminding them of their loyalty. They must be prepared, for when the time is right, I will return to Sezja and reclaim my rightful place. 

Today, I wandered along the beach, the salty air stinging my face. I thought of Elara, of the kingdom I once ruled. It is a bittersweet memory, a reminder of what I have lost and what I must regain. I also saw a woman who looks very much like Anya walking through town with two little children. Her presence here unsettles me. I must discover why she is here, and inflict sweet vengeance on her for everything she cost me!

As the sun begins its descent, casting long shadows across the desolate landscape, I feel a surge of determination. My exile is temporary. My downfall is not the end. It is merely a chapter in a larger story, a story that will culminate in my triumphant return.

As Mon reads the entries, Dhuka tells Marigold and Branna she thinks her mother was a nursemaid for the King in Sezja. At least, that's what Anya told her before she went missing.

Realizing the note Dhuka had supposedly received from the Marquess of Sidorov was fake and that the present was meant to track her, they decide they must move their plan forward, and contact Lady Sirenko immediately to see if she will shelter Dhuka. 

As they discuss the situation, Branna notices that the eyes on the unicorn have been replaced by two marbles with a faint magical signature. Someone is spying on them! She peels the eyes off and drops them off in the closest latrine.

They then resume their discussion of where to relocate Dhuka. With someone now aware they were considering moving her to Lady Sirenko, the best place is for her to stay at the theater. Mon dispatches a message to both Lady Sirenko and the Marquess advising them the Cardinal and his men may search their residences looking for the child.

Mon then wonders aloud whether Dhuka could go with Sir Paul Stal. The richest man on the island may be thrilled to needle the Cardinal. Marigold suggests that perhaps they could take an apprentice with them to the mainland, and given Dhuka's preference for boys' clothes, it wouldn't be too hard to pull off.

Mon finally reveals what he's read from the Cardinal's journal entries. He tells them the Cardinal has been plotting to dethrone the King, and that Anya and Dhuka's mother, who was also called Anya, was a nursemaid in the King's employ. With the Cardinal's plans laid bare, and with whomever was spying now aware that the journal entries have been found, time is of the essence!

Phandelver Episode 016

Tuesday, April 11, 1491, continued ...

Fleeing the Spider, they take refuge in the Forge of Spells with the Nundro the dwarf, Gundred Rockseeker's brother. The Spider and his cronies arrive, and negotiations quickly fail. An assault is launched, and Nundro betrays them, seeking the Guardian on them. After defeating the Guardian, they dig a hole through one of the wall, and find no one waiting for them ...

Phandelver Episode 015

Tuesday, April 11, 1491

Through further exploration they finally discover the Forge of Spells, and encounter a Spectator wearing dwarven armor. The Spectator is tasked with guarding the forge of spells, and has defeated many enemies over the years, with lots of dead bodies in front of the doors.

They finally encounter the Spider, but combat proves deadly as Kyrdean falls. Shifty and Shady betray the group, and they withdraw back to the Forge of Spells.

Phandelver Episode 014

Monday, April 10, 1491, continued

Continuing their exploration, head down several corridors. They defeat ghouls, then discover a flesh golem in one of the dormitories. The golem reveals the mind flayers are returning, and are building an army ...

Legendary - A de Mon'stration of Faith

Thursday, June 23, 1066 SE continued ...

With most of the guests now in attendance, service begins in the Palace's dining room. The guests are served a royal meal, complete with eleven courses. While Marigold bakes the puff pastries for dessert in the Palace's kitchen, Branna and Mon anxiously await the actual ball once dinner is finished. Zoryany's reaction has Mon worried. Who could possibly have such an effect on Sir Paul Stal's trusted assistant? 

Mon decides he will take a position on the east side of the balcony in the ballroom, so he can watch all three entrances. He tells Branna and Zoryany of his plan, and exchanges duties with one of the other servers. From up here, he will observe the guests as they enter the ballroom.

Utensils hit glass, requesting silence throughout the room midway through dinner, and both Mon and Branna can clearly hear the King's speech:

I have heard whispers of division, of a desire to sever the ties that bind us. But let me ask you this: what is Katarina without Sezja? A lone ship in a storm, tossed by the currents of a fickle world. Sezja offers you strength, a mighty harbor in which your island can flourish!

Some may preach a gospel of isolation, but I say isolation breeds stagnation. Together, we can achieve more than we ever could alone. Sezja offers Katarina not just protection, but opportunity! Trade flourishes within our borders, knowledge is shared, culture is spread, and innovation thrives!

Is that not a future worth fighting for? A future where Katarina's children can dream big dreams, knowing they have the backing of a united Sezja?

Let us not be swayed by the siren song of division. Let us stand together, Sezja united! Let Katarina remain the jewel in our crown, a testament to the strength we find in unity!

Thank you! Long live Sezja! Long live Katarina!

Meanwhile, in the kitchen, Marigold notices one of the pastry workers stealthily altering the icing going on the little puff pastries by pouring a liquid from a small glass vial into a porcelain bowl, then thoroughly mixing the.contents with a wooden spoon. She notifies the Palace's head chef, who comes over to the dessert station and tastes the icing. Finding it bitter, he tells the pastry chef to get rid of the puff pastries. He then asks Marigold to bake a new dessert, using any recipe, since they only have half an hour before the dessert trays must be brought out to the dining room. Marigold tells him she will make puff pastries twisted together and dipped in cinnamon sugar. 

A few minutes later, the head chef grasps his chest and collapses on the floor. Marigold is convinced there is poison in the icing, and it just killed the chef. As he receives first aid, one of the cooks has the presence of mind to notify the Palace chamberlain, who comes to the kitchen accompanied by Dr. Sadistik. He lays his hands on the chef, and takes three long breaths. The head chef's chest suddenly raises as he gasps and sits up. When Dr. Sadistik asks him how he feels, he tells him he's never felt better.

Following the incident, Marigold notes that the altered puff pastries have been moved to a back counter instead of being thrown out, as the head chef requested. Heading towards that area with a few large cooking sheets, Marigold "accidentally" trips and spills the deadly pastries on the floor. She picks them up and disposes of them in the furthest trash bin, much to the chagrin of the pastry chef who gives her the evil eye. Marigold inquires who the pastry chef works for. One of the other cooks tells he she will  check with the Chamberlain to see who his regular employer is. Soon, Marigold's new dessert is ready, and after being plated, it is sent to the dining room.

While dinner winds down, a few of the younger folks enter the ballroom and begin drinking and mingling. The band, which is composed of musicians from the four theaters and from the city guard, begins playing some of the local favorites. As more people enter the ballroom, the band's tempo becomes more lively. The band switches to the Sezjan national anthem when the King and his son Prince Yegor enter the room to loud applause. The King is followed by the Archduke and his family, to louder applause.

The Archduke and his wife, Archduchess Yeva perform the opening steps of the first dance, and soon the dance floor is crammed with people moving to the sound of the music. Dr. Sadistik is also in the ballroom, greeting people and exchanging words. Branna notices he has a lengthy conversation with the Cardinal before heading up to the balcony. The Cardinal soon follows him. Mon, who is busy delivering drinks on the balcony, takes a moment to observe the scene when a cheer goes up, and sees Prince Yegor dance with Yula, the Archduke's youngest daughter.

With the party now in full swing, both Branna and Mon are busier than ever fulfilling drink orders. Marigold and the rest of the kitchen staff cleans up the kitchen, and begins preparing the breads and dishes for the next day. As the band switches to a new song, Branna scans the front of the room, and realizes that both the Archduke and the King are gone. She tells one of the bartenders, who suspects they might have gone to use the facilities. In any case, he didn't see them leave, and he doesn't have time to ponder what happened.

As Marigold is ready to hang her apron for the night, the chef comes to her, and asks her to prepare a small tray with tea for two and several small desserts. He then gives her directions to a study on the second floor of the West wing of the Palace at the end of the corridor heading west from the stairs' landing. Following the directions, Marigold arrived at a closed door. She can hear an argument taking place on the other side. She timidly knocks on the door twice, but when there's no answer, she puts the tray down, and slowly opens the door before picking up her tray and entering the room. The Archduke is sitting at his desk, while the King is pacing in front of him. He seems angry. The King tells the Archduke that

They will commit an action to make me look weak. This, they calculate, will force me to react. And they are right, I will have to react otherwise the political ramifications will be intolerable. This reaction will then be perceived by many, as it rightly should, to be overbearing and of a magnitude greater than other steps I could have taken, regardless of the actual course I exert. And, of course, this will fan the flames of resentment, gaining the other side more support in thought, if not in action.

Unfortunately I need to let the course of events they have set in motion play out, because I need them to think they hold all of the winning cards. Only then will they reveal their true purpose. Then I will strike so hard all of their hopes and ambitions will crumble into the same bitter ash that fills their minds. I shall have my revenge, and I shall protect the kingdom of Sezja from those who would seek to divide us, you mark my word! 

Marigold coughs, and the Archduke notices her for the first time. He motions h

her forward, and she places the tray on the study desk. Both the King and the Archduke thank her. Marigold leaves the study, but remains in the hallway with the door cracked open. She hears the conversation resuming, with the Archduke attempting to convince the King to act now, instead of waiting. The King tells him it's a delicate balance, but things must tip over enough for those hiding in the darkness to come out in the light to claim their prize. Marigold closes the door, and returns to the kitchen.

Marigold remains in the hallway with the door mostly open, and she hears the conversation continuing, with the ARchduke attempting to convince the king to act now, instead of waiting, and the king telling him it's a delicate balance, but things must tip over enough for those hiding in the darkness to come out in the light to claim their prize. She then closes the door and returns to the kitchen. The chef informs her that the pastry chef she was inquiring about came from the Nazar estate. The Nazar own the Starlight Theater. The Archduke's chamberlain enters the kitchen, and hands out purses to all of the temporary employees. Marigold is paid 4 golds and 10 silvers, and is then sent to help out the bartending staff in the ballroom.

As Mon is delivering drinks, he has a creepy feeling as he's taking orders that something threatening is behind him. He avoids turning over, and instead head straight for the bar to get a few drinks, where he sees Marigold and the other two bartenders. Mon asks her who was standing behind him. Marigold tells him that the Cardinal and Dr. Sadistik are standing next to the balcony railing, as the Cardinal points out various people on the ground floor. Mon turns around, and sees the man, and though he feels ill at ease, no memories are triggered.  

On the ballroom floor, Branna sees that both the King and the Archduke have returned. Instead, now both Prince Yegor and Yula have disappeared.

Mon returns with drinks, only to be intercepted by the Cardinal. He takes a good look a Mon, but evidently does not see through Mon's disguise. He orders gin on the rocks. Dr. Sadistik then orders a Bloody Mary,  Dr. Sadistik looks intently at Mon, then addresses him by the name Arkady and inquires as to his health. Mon has visions of himself laying on a cold hard table, with Dr. Sadistik standing over him and telling him the part he put in is faulty, and he will replace it. He has several similar memories of a well lit dungeon room, and going under Dr. Sadistik's knife. Dr. Sadistik also tells him he saw his sister earlier, and she too looked well. Dr. Sadistik seems genuinely pleased with Mon, which creeps the actor.

Returning to the bar, Mon tells Marigold what he remembers of Dr. Sadistik and the memory flashbacks he just had.

On the ballroom floor, Branna runs into the Marquess of Sidorov, who is inebriated. She is thrilled about the success of her dress. She tells Branna she has been singing her praises to anyone who asked her where she had purchased her dress, and she fully expect that people will be knocking on her door to order their own amazing dresses. The Marquess takes Branna to the front of the room, and introduces her to the King. When she states her last name, the King looks pleasantly surprised, and tells her that his favorite outfits are from the Gwend family clothier. Her father is his favorite clothier, and he knows him well. The King is thrilled Branna is here, making her own mark. He then asks her about the situation on Katarina, inquiring about her perception of the political situation on the island and her thoughts on the separatist movement. Branna and the King then exchange views, and he asks her a few more questions before the King shakes her hand again and greets another group. Branna then returns to her station.

Later, Mon descends the stairs, and heads towards the Archduke. He wants to relay important information to Katarina's ruler, but he's intercepted by the Marquess, who requests a drink. Mon tells him it is her favorite actor, and the Marquess is impressed with his disguise, but she is loud enough that everyone around can hear her. Mon asks her to keep his real identity quiet, but too late, the Cardinal is standing behind him. The Cardinal is not thrilled to see Mon, and tells the actor he will soon find himself under arrest. Mon's despicable nature is an affront to any follower of the faith, according to the Cardinal, who walks away from Mon. Concerned that the Marquess has now had too much to drink, Mon tells her he will be more than pleased to escort her back home to ensure she arrives there safely.

Branna sees that Prince Yegor and Yula have returned to the ballroom. Both of them seem to be having a great time. Unlike her younger sister, Verushka, the Archduke's eldest daughter, did not seem to have a good time and her heart was clearly not in it.

As the party wraps up, Branna runs into Lady Sirenko, and the two talk with each other. Branna mentions that the Marquess misses her terribly, and Lady Sirenko lets her know she and the Marquess will be meeting for lunch tomorrow at Khoroshim to talk about what happened, and how they can move forward.

Mon finally meets the Archduke and tells him he has information. The Archduke would prefer that Mon pass this information to Dima, captain of the city guard, but he reluctantly agrees to meet with the actor in his official study in thirty minutes.

As the last guests depart, the Palace's chamberlain gathers all of the servers and bar staff, and he distributes purses of 3 golds each. Branna sees the Marquess standing with difficulty near the main entrance. She tells the Marquess she will escort her to her carriage. Olehiv, the Marquess's butler, tells her he is concerned the Marquess will be in no shape for her meeting with Lady Sirenko tomorrow.

Meeting with the Archduke in his official study with the Archduke and several guards, including Dima, Mon tells him he has a way of listening to the Cardinal, and reports that the Cardinal is planning a coup. The Archduke thanks him for this information, and once again requests that any future information should be given to Dima and not directly to him. With his meeting over, Mon steps outside the Palace. He turns invisible, and shadowsteps back to the Legendary.

As Branna and Marigold walk back to the Legendary, Herald catches up with them, and he tells them that Prince Yegor and Yula came into the stables and spent some time kissing in one of the stalls. He also tells them Sir Gregory had to rent a carriage for tonight, which he thought it was strange since Sir Gregory already has a carriage. He proudly displays the two gold coins he earned working in the stables. Marigold shakes her head.

Back at the Palace hotel, Marigold tells Branna and Mon about the incident in the kitchen and reports that the pastry chef was a servant of House Nazar ...